Beatriz González
Retrospective 1965–2017
13 October 18 – 6 January 19

 

Opening: 12 October 18, 7 pm

 

<p>Beatriz González, <em>Los Suicidas del Sisga No 2</em>, 1965, Courtesy the artist</p>
<p>and Óscar Monsalve, Collection Museo La Tertulia, Cali</p>

Beatriz González, Los Suicidas del Sisga No 2, 1965, Courtesy the artist

and Óscar Monsalve, Collection Museo La Tertulia, Cali

 

This fall, KW Institute for Contemporary Art presents the first major survey exhibition of Colombian artist Beatriz González (born 1938 in Bucaramanga, CO) in Germany. The exhibition features 60 years of González’ internationally acknowledged work and displays a selection of 120 works created between 1965 and 2017.

 

Growing up in Colombia in the 1940s and 50s, during an era of political unrest known as La Violencia (The Violence), González became a pivotal figure in the Latin-American art scene. In the late 1950s, González established an artistic practice strongly influenced by icon painting, art-historical motifs, local styles, and mass media. Since then, González’ work has been concerned with everyday scenes, public protest rituals, and scenes of collective pain in her home country, Colombia. The artist broke with the anonymous, impersonal style of Pop Art by addressing political events from the country’s recent history through personal and intimate matters.

 

Though a strong division between high and low culture, art and design, was drawn over the course of the 20th century, González juxtaposes them with ease. By appropriating canonical motifs and subjects from art history, she established a correlation between Western and South American traditions by presenting a critical reformulation of iconography.

 

The exhibition Retrospective 1965–2017 by Beatriz González marks the first presentation of this scale outside of Colombia and was produced in collaboration with the CAPC musée d’art contemporain de Bordeaux and Museo Nacional Centro de Arte Reina Sofía in Madrid.

 

In conjunction with the exhibition on the artist, Diego García Moreno’s documentary Beatriz González ¿Por qué llora si ya reí? will be screened at Pogo Bar. The film will not be on view on 13 and 25 October, 1, 22 and 29 November, 13 December, and 5 January.

 

Curators: María Inés Rodríguez, Krist Gruijthuijsen
Assistant Curator: Cathrin Mayer

 

 

Public Program 
 
Curator’s tour through the exhibition with María Inés Rodríguez
13 October 18, 3 pm
Meeting point: Counter
 
Book launch with Beatriz González
Diario del Guernica. Diario de una obra sin sentido Mural Para Fábrica Socialista
13 October 18, 5 pm
Venue: Pogo Bar
 
Assistant curator’s tour through the exhibition with Cathrin Mayer
22 November 18, 7 pm
Meeting point: Counter
 
Colombian film afternoon
2 films selected by Beatriz González (Spanish with English subtitles)
2 December 18, 5 pm and 7 pm
Venue: Studio at KW’s front house
Admission: 5 € / 3 € 
 
Curator’s tour through the exhibition with Krist Gruijthuijsen
13 December 18, 7 pm
Meeting point: Counter

 

Exhibition folder (PDF)

 

 

 

<p>The exhibition is funded by the German Federal Cultural Foundation.</p>

 

The exhibition is funded by the German Federal Cultural Foundation.

 

<p>Media partner: <a href="http://www.exberliner.com/">EXBERLINER </a></p>

 

Media partner: EXBERLINER

 

1/17
Beatriz González, installation view in the hallway of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, installation view in the hallway of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, Carguero La Cama Pictografias Particulares. Modelo B, 
2014, installation view in KW’s courtyard of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, Carguero La Cama Pictografias Particulares. Modelo B, 
2014, installation view in KW’s courtyard of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, Decoración de Interiores,1981, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, Decoración de Interiores,1981, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, <i>La caja en la caja</i> (front), 2010, <i>Télon de la móvil y cambiante naturaleza</i> (back), 1978, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, La caja en la caja (front), 2010, Télon de la móvil y cambiante naturaleza (back), 1978, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, <i>La muerte del picador</i> (front), 1973, <i>Decoración de Interiores</i> (back), 1981, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, La muerte del picador (front), 1973, Decoración de Interiores (back), 1981, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, <i>Los suicidas del Sisga n.°2</i> (left), 1965, <i>Estirpe de reinas</i> (right), 1967, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, Los suicidas del Sisga n.°2 (left), 1965, Estirpe de reinas (right), 1967, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, <i>Ventana entreabierta</i> (left), 2001, <i>Dolores</i> (right), 2000, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, Ventana entreabierta (left), 2001, Dolores (right), 2000, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, installation view of the exhibition <i>Retrospective 1965–2017</i>, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin 2018, Photo: Frank Sperling
Beatriz González, 1/500, 1992, Silkscreen on paper, Courtesy the artist, Collection Beatriz González
Beatriz González, 1/500, 1992, Silkscreen on paper, Courtesy the artist, Collection Beatriz González
Beatriz González, Los Suicidas del Sisga No 2, 1965, Oil on canvas, Courtesy the artist, Óscar Monsalve, and Museo La Tertulia, Cali, Collection Museo La Tertulia, Cali
Beatriz González, Los Suicidas del Sisga No 2, 1965, Oil on canvas, Courtesy the artist, Óscar Monsalve, and Museo La Tertulia, Cali, Collection Museo La Tertulia, Cali
Beatriz González, Tapen, tapen, 1994, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, Tapen, tapen, 1994, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, Nací en Florencia y tenía ventiseis años cuando fue pintado mi retrato (esta frase pronunciada en voz dulce y baja),
 1974, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling
Beatriz González, Nací en Florencia y tenía ventiseis años cuando fue pintado mi retrato (esta frase pronunciada en voz dulce y baja),
 1974, installation view of the exhibition Retrospective 1965–2017, KW Institute for Contemporary Art, Berlin, 2018, photo: Frank Sperling