Dr. Ralf Beil
World Knowledge

 

 

4 June 13

 

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Christian Heinrich Bünger, Kopf-Abschnitt mit Nervenverzweigungen im Bereich des Schläfenbeins (Os temporale) zwischen 1810 und 1830, Museum anatomicum – Medizinhistorisches Museum der Philipps-Universität Marburg
Christian Heinrich Bünger, Kopf-Abschnitt mit Nervenverzweigungen im Bereich des Schläfenbeins (Os temporale) zwischen 1810 und 1830, Museum anatomicum – Medizinhistorisches Museum der Philipps-Universität Marburg
M. J. Weber, Anatomischer Atlas des menschlichen Körpers in natürlicher Größe, Lage und Verbindung der Teile, 1831, Forschungsstelle Georg Büchner, Philipps-Universität Marburg
M. J. Weber, Anatomischer Atlas des menschlichen Körpers in natürlicher Größe, Lage und Verbindung der Teile, 1831, Forschungsstelle Georg Büchner, Philipps-Universität Marburg

 

What does the black box have to do with the womb? How does a 3000 square kilometre time machine work? Why is it so hard to perceive a total artwork (Gesamtkunstwerk)? What is the binary universe's curse? How is it that music and art are no longer in opposition? What, in the devil's name, does object recognition mean? Why would Georg Büchner never have become a blogger? And in general, what do we need exhibitions for? These questions and others will lead Dr. Ralf Beil in his discussion with the participants and the hosts of the evening, Ellen Blumenstein and Felix Vogel. Dr. Beil is the director of Institute Mathildenhöhe Darmstadt, and has curated cultural history and interdisciplinary exhibitions such as The Total Artwork in Expressionism, A House Full of Music, and currently: Georg Büchner. A Revolutionary With Quill and Scalpel.

An evening by Salon Populaire, hosted by Ellen Blumenstein and Felix Vogel.