Pause: Ericka Beckman
Super-8 Trilogy
18–21 January 18

<p>Ericka Beckman, <em>The Broken Rule</em>, 1979, Super-8-film</p>

Ericka Beckman, The Broken Rule, 1979, Super-8-film

Opening: 17 January 18, 7 pm

Ericka Beckman in conversation with Anna Gritz (Curator at KW)

21 January 18, 5 pm

Venue: Studio, Front building, 1st floor

Free admission

To launch the first exhibition season of 2018, KW Institute for Contemporary Art presents the installation Super-8 Trilogy (1978–81) by the experimental filmmaker and artist Ericka Beckman as part of its Pause series. Pause focuses on individual works, which acts as a content-related hinge between the program’s main focuses, connecting and complementing them.

Super-8 Trilogy consists of the films We Imitate; We Break Up (1978), The Broken Rule (1979) and Out of Hand (1981), which defy classical narrative structures and follow a choreography developed through the artist’s engagement with the Swiss psychologist Jean Piaget (1896–1980). Piaget shaped research on the cognitive development of children, primarily in the field of developmental psychology, and took the view that cognitive development is accelerated by interaction with the environment.

The three films explore the possibilities of play with surreal, dreamlike sequences and try to negotiate the processes of the memory, the mind, and the psyche, which are triggered when we process images. For this Beckman uses strict patterns of colors, shapes and motifs—related to each other by repetition and through game structures. The artist was connected to the so-called Pictures Generation, which dealt with the convergence of art with mass media such as film, television, and magazines between 1974 and 1984.

Curator: Anna Gritz

Assistant Curator: Cathrin Mayer

Exhibition PDF

Part of project: Pause series

The Pause series of KW Institute for Contemporary Art allowed for an ephemeral yet deep engagement with a single artwork in order to draw and question relationships between the past, present, and future. A Pause acted as a punctuation of KW’s regular program by presenting an artwork for a short period of time in between exhibition cycles, working with this state of in-between. Pause projects were predominantly commissioned or reworked pieces that shifted between or even merged the disciplines of performance, installation, video, and sonic work.

Overview

2017–2024

Pause: Billy Bultheel & James Richards

Workers in Song

7–9 June 24

Pause: The Noa Eshkol Chamber Dance Group
25/27 August 23

Pause: Alexis Blake

Crack Nerve Boogie Swerve

27–29 January 23

Pause: Lydia Ourahmane
sync
1–2 October 22

Pause: Tobias Spichtig
Die Matratzen
19–23 January 22

Pause: Michele Rizzo