Evelyn Taocheng Wang, Cool Smell Room, 2018, Courtesy the artist
Pause: Evelyn Taocheng Wang
What is he afraid of?
The work of Evelyn Taocheng Wang (born 1981 in Chengdu, CN) emerges from an interest in what constitutes identity and how one’s own body is culturally relative to—and intertwined with—autobiographical structures. For KW Institute for Contemporary Art’s series Pause, Wang will present a completely new body of work, consisting of two films and an installation of large-scale fabrics. Pause is envisioned as a platform to punctuate the program by presenting a singular installation for a short period of time in order to bridge relationships between the past, present and future.
The new work is a result of Wang’s reflection on differing versions of mythologies that derive from various origins and have been written, altered, edited, and retold over time in different cultural contexts, with a particular focus on the fairy tale of The Princess and the Frog. Across all of these contexts, the tale is closely related to questions of transformation and the idea that identity is fluid and adaptable.
Taking the notion of the fictionalization of characters as well as an actual architectural site, the exhibition becomes a space where narratives are translated into a spatial structure within KW’s main hall. The institution’s premises symbolize both the architecture of the body and its structure in the process of transformation.
Curators: Maurin Dietrich, Cathrin Mayer
Exhibition folder (PDF)
Part of project: Pause series
The Pause series of KW Institute for Contemporary Art allowed for an ephemeral yet deep engagement with a single artwork in order to draw and question relationships between the past, present, and future. A Pause acted as a punctuation of KW’s regular program by presenting an artwork for a short period of time in between exhibition cycles, working with this state of in-between. Pause projects were predominantly commissioned or reworked pieces that shifted between or even merged the disciplines of performance, installation, video, and sonic work.
Overview
2017–2024
Pause: Billy Bultheel & James Richards
Workers in Song
7–9 June 24
Pause: The Noa Eshkol Chamber Dance Group
25/27 August 23
Pause: Alexis Blake
Crack Nerve Boogie Swerve
27–29 January 23
Pause: Lydia Ourahmane
sync
1–2 October 22
Pause: Tobias Spichtig
Die Matratzen
19–23 January 22
Pause: Michele Rizzo
REACHING
1–3 October 21
Pause: Archivio Conz Collection
Broken Sounds / Remote Music—Prepared Pianos
16–19 January 20
Pause: Every Ocean Hughes
Help the Dead
24–25 August 19
Pause: Emma Hedditch
+49 30 243459-53
18–19 May 19
Pause: Jimmy Robert (After Ian White)
Joie noire
19–20 January 19
Pause: AA Bronson
Garten der Lüste
26–29 April 18
Pause: Ericka Beckman
Super-8 Trilogy
18–21 January 18
Pause: Margaret Honda
Spectrum Reverse Spectrum
18–20 August 17
Pause: Anthony McCall
Line Describing a Cone
27–30 April 17
With kind support of the Dutch Embassy and Galerie Fons Welters, Amsterdam, Carlos/Ishikawa, London, and Company Gallery, New York.
Pause: Evelyn Taocheng Wang is part of Berlin Art Week 2018.