Michele Rizzo, REACHING, 2021. Performance at KW Institute for Contemporary Art, in collaboration with Julia Stoschek Collection. Courtesy the artist; Photo: Frank Sperling
Pause: Michele Rizzo
REACHING
1–3 October 21
Doors open: 7:30 pm
Start: 8 pm
Tickets (sold out)
In October 2021, KW Institute for Contemporary Art and Julia Stoschek Collection collaboratively present a commissioned performance by Michele Rizzo (born in 1984, based in Amsterdam). The choreographer and multidisciplinary artist investigates rave culture and the significance of the moments and spaces in which it becomes palpable. Departing from the ecstatic attitude of his HIGHER xtn. (2019) performance, the trajectory of the artist’s research transitions in the liminal space of REACHING, through a slow-paced choreography, with 14 performers, a sound score by composer Billy Bultheel (born in 1987, based in Berlin and Brussels) and light design by Theresa Baumgartner (born in 1990, based in Berlin).
Rizzo assesses and embraces multiple layers intrinsic to a journey of unison and transcendence, which comes into existence between and among moving bodies. REACHING unfolds the space hidden within and around the predominantly addressed emotions of ecstasy, euphoria, and acceleration by unveiling allusions to desire and the secret will of each individual, to evolve into an introspective yet rousing choreography of friction and coalescence.
Choreographer / Artist: Michele Rizzo
Curator: Léon Kruijswijk
Composer: Billy Bultheel
Light Design: Theresa Baumgartner
Dramaturgical advise: Juan Pablo Cámara
Stylist: Leendert Sonnevelt
Performers: Aaron Ratajczyk, Anna Rose, Arad Inbar, Carolina de Vega, Daniel Schabert, Dionisis Argyropoulos-Ioannou, Djibril Sall, Ewa Dziarnowska, Maria Metsalu, Matilde Bassetti, Max Göran, Milena Weber, Reza Mirabi, Snorre Hansen
Part of project: Pause series
The Pause series of KW Institute for Contemporary Art allowed for an ephemeral yet deep engagement with a single artwork in order to draw and question relationships between the past, present, and future. A Pause acted as a punctuation of KW’s regular program by presenting an artwork for a short period of time in between exhibition cycles, working with this state of in-between. Pause projects were predominantly commissioned or reworked pieces that shifted between or even merged the disciplines of performance, installation, video, and sonic work.
Overview
2017–2024
Pause: Billy Bultheel & James Richards
Workers in Song
7–9 June 24
Pause: The Noa Eshkol Chamber Dance Group
25/27 August 23
Pause: Alexis Blake
Crack Nerve Boogie Swerve
27–29 January 23
Pause: Lydia Ourahmane
sync
1–2 October 22
Pause: Tobias Spichtig
Die Matratzen
19–23 January 22
Pause: Archivio Conz Collection
Broken Sounds / Remote Music—Prepared Pianos
16–19 January 20
Pause: Every Ocean Hughes
Help the Dead
24–25 August 19
Pause: Emma Hedditch
+49 30 243459-53
18–19 May 19
Pause: Jimmy Robert (After Ian White)
Joie noire
19–20 January 19
Pause: Evelyn Taocheng Wang
What is he afraid of?
27–30 September 18
Pause: AA Bronson
Garten der Lüste
26–29 April 18
Pause: Ericka Beckman
Super-8 Trilogy
18–21 January 18
Pause: Margaret Honda
Spectrum Reverse Spectrum
18–20 August 17
Pause: Anthony McCall
Line Describing a Cone
27–30 April 17
A production by KW Institute for Contemporary Art, in collaboration with Julia Stoschek Collection.
With generous support from Mondriaan Fonds, the Embassy of the Kingdom of the Netherlands, Germany and Q-International, Quadriennale di Roma.