The Hip-Hop Waltz of Eurydice, 1990. Written and directed by Reza Abdoh, performance at Sigma Festival, Bordeaux, 1992, photo: Patrick Veyssière
Reza Abdoh
In collaboration with MoMA PS1 New York, KW presents a solo exhibition around the work of the late Iranian theater director Reza Abdoh (1963–1995). Over a career that spanned twelve years, Abdoh pushed his actors—and audiences—to their limits. His aesthetic language was relentlessly, recklessly inventive, borrowing from fairy tales, BDSM, talk shows, raves, video art, and the history of avant-garde theater. The hallucinatory dreamscapes he produced spoke forcefully and eloquently to the ugly political realities of his time—from government-sanctioned racism to the Reagan administration’s refusal to acknowledge the AIDS crisis to warmongering at home and abroad.
Reza Abdoh was already one of the most compelling figures in American avant-garde theater when he died of AIDS in 1995 at the age of thirty-two. Near the end of his life, Abdoh insisted that he didn’t want his plays to be restaged. Traces of his work were to be found on videotapes passed around experimental theater circles, many of which serve as the basis of the exhibition at hand. The exhibition at KW around Abdoh’s work is co-produced with MoMA PS1, where it was on display from June 3 to September 3, 2018.
Curators: Bidoun (Negar Azimi, Tiffany Malakooti, Babak Radboy), Krist Gruijthuijsen
The exhibition by Reza Abdoh is part of the project David Wojnarowicz, Reza Abdoh, Frank Wagner and funded by the Senate Department for Culture and Europe, Berlin.
The exhibition is co-produced with MoMA PS1 and generously supported by the Marina Kellen French Foundation, Coleção Moraes-Barbosa, and Casper.