Image Bank
22 June – 1 September 19

 

Opening: 21 June 19, 7 pm

 

<div class="">
<p>Bob Strazicich, <em>Mr. Peanut Mayoral Campaign: Mr. Peanut descends steps of Vancouver Court House</em>, 1974, gelatin silver print, Collection of the Morris/Trasov Archive, Morris and Helen Belkin Art Gallery, University of British Columbia</p>
</div>

Bob Strazicich, Mr. Peanut Mayoral Campaign: Mr. Peanut descends steps of Vancouver Court House, 1974, gelatin silver print, Collection of the Morris/Trasov Archive, Morris and Helen Belkin Art Gallery, University of British Columbia

 

Image Bank was founded in 1970 in Vancouver, Canada, by artists Michael Morris (born 1942 in Saltdean, GB), Vincent Trasov (born 1947 in Edmonton, CA) and Gary Lee-Nova (born 1943 in Toronto, CA). A model for a utopian, alternative system of art distribution operating outside institutions like the museum and the market, Image Bank engaged in an international exchange of images and correspondence by mail. Among the artists participating in the ever-growing network of exchange were (besides Morris, Trasov, and Lee-Nova) Dana Atchley, Robert Cumming, Dick Higgins, Geoff Hendricks, Glenn Lewis, Eric Metcalfe, Kate Craig, Willoughby Sharp, General Idea and Ant Farm. Image Bank maintained close ties with Ray Johnson’s New York Correspondence School as well as Robert Filliou and his concept of the Eternal Network. Using frequently changing Duchampian, gender-crossing aliases, and appropriating and reworking images and texts from mainstream media was both a subversive take on post-war individualism and consumer culture, and a way of partaking in an accelerated flow of data. At the same time, Image Bank’s production affirmed the mythological and libidinous power of mass distributed visual imagery and puns. Its interest in the idea of the fetish—which it shared with General Idea in Toronto—in rituals, and in archives shaped the collective’s manifold activities until 1978, when, due to a copyright challenge, it was renamed the Morris/Trasov Archive.

 

The archive is comprised of more than 10,000 files of ephemera (correspondence, postcards, stationery, notes, collages, and concept drafts) as well as photography, film and props. In collaboration with the Morris and Helen Belkin Art Gallery at the University of British Columbia (Vancouver, CA), KW Institute for Contemporary Art presents the most comprehensive retrospective of Image Bank to date. The exhibition gives an overview of the collective’s most important projects emerging from a moment of collaborative production that fundamentally questioned the boundary between art and life and anticipated topics relevant today, such as networks, tagging/keyword indexing, collective authorship, and UGC (user generated content). The exhibition will travel to the Morris and Helen Belkin Art Gallery at the University of British Columbia in Summer 2020.

 

A catalogue will accompany the exhibition, featuring texts by AA Bronson, Zanna Gilbert, Krist Gruijthuijsen, Angie Keefer, Maxine Kopsa, Hadrien Laroche, Felicity Tayler and Scott Watson.

 

Curators: Krist Gruijthuijsen, Maxine Kopsa, Scott Watson
Assistant Curator: Kathrin Bentele

 

 

Public Program

 

Guided tour through the exhibition with the curator Scott Watson and artists Michael Morris and Vincent Trasov
22 June 19, 2 pm
In English

 

Guided tour through the exhibition with assistant curator Kathrin Bentele
25 July 19, 6 pm
In German

 

ZAPP Magazine
Screening and talk with Corinne Groot, Rob van de Ven and Kathrin Bentele
14 August 19, 9 pm
Venue: KW Courtyard
In English

 

Networks as Structural Models for Art—Distributive Practices since 1960
Lectures by Prof. Dr. Julia Gelshorn, University Freiburg (CH) and Hanna Magauer, Berlin University of the Arts
27 August 19, 7 pm
Venue: KW Studio, Front building, 1st floor
In German

 

Guided tour through the exhibition with curator and director Krist Gruijthuijsen
29 August 19, 6 pm
In English

 

 

Exhibition Folder (PDF)

 

 

 

1/4
Installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, photo: Frank Sperling
Installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, photo: Frank Sperling
Foreground: Image Bank, <i>Colour Bars – Spectrum Sets</i>, 1972–73; Center: Eric Metcalfe, <i>Leopard Realty</i>, ca. 1973, Courtesy Collection of the Eric Metcalfe Fonds, Morris and Helen Belkin Art Gallery, University of British Columbia (CA); Background: General Idea, <i>Hands of the Spirit</i>, 1974; installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, photo: Frank Sperling
Foreground: Image Bank, Colour Bars – Spectrum Sets, 1972–73; Center: Eric Metcalfe, Leopard Realty, ca. 1973, Courtesy Collection of the Eric Metcalfe Fonds, Morris and Helen Belkin Art Gallery, University of British Columbia (CA); Background: General Idea, Hands of the Spirit, 1974; installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, photo: Frank Sperling
Image Bank, archival materials in 12 sections, detail from ‘Annual Report, Image Requests and Mailings’; installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, photo: Frank Sperling
Image Bank, archival materials in 12 sections, detail from ‘Annual Report, Image Requests and Mailings’; installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, photo: Frank Sperling
Installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, photo: Frank Sperling
Installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, photo: Frank Sperling

 

 

 

The exhibition is generously supported by the Canada Council for the Arts, the Audain Foundation and the Embassy of Canada in Berlin.