Press Releases

 

KW announce Fall Program 2022 Download (as of 8 September 22)

KW announce KW Digital Program exhibition Rachel Rossin – THE MAW OF Download (as of 27 August 22)
KW announce winning artist Kameelah Janan Rasheed of the Schering Stiftung Award for Artistic Research 2022 Download (as of 25 August 2022)

KW announce Spring Program 2022 Download (As of: 27 January 2022)

KW Institute for Contemporary Art present the annual program 2022 Download (As of: 20 January 2022)

KW announce second part of 30 years Jubilee Auction in cooperation with Grisebach Download (As of: 1 November 2021)

Katharina Grosse elected as chair of the board of KUNST-WERKE BERLIN e. V. Download (As of: 30 September 2021) 

KW announce its fall program 2021 Download (As of: 28 September 2021)

KW present program of Open Secret Download (As of: 20 September 2021)

KW announce its anniversary weekend program as part of 30 Years of KW Download (As of: 1 September 2021)

KW is part of MuseumSunday Berlin Download (As of: 21 June 2021)

KW present summer program 2021 Download (As of: 22 June 2021)

KW announce auction as part of its anniversary program Download (As of: 26 May 2021)

KW Jubilee Auction in cooperation with Grisebach: The auction catalogue with an overview of the works you will find here.

KW present KW Digital and its inaugural exhibition The Last Museum Download (As of: 20 April 2021)

KW announce 30th anniversary program 2021 Download (As of: 20 April 2021)

KW announce program 2021 Download (As of: 18 January 2021)

Rabih Mroué Receives Schering Stiftung Award for Artistic Research 2020 Download

KW present Fall/Winter program 2020/2021 Download

Updated annual program 2020 Download (As of: 3 August 2020)

Director Krist Gruijthuijsen’s contract extended until 2024 Download

COVID-19: Reopening of KW on 30 May 2020 Download

KW announce new curators Download

COVID-19: KW will be closed from 14 March until 19 April 2020 Download 

Partnership between KW and BPA to promote the visibility of emerging Berlin-based artists Download

KW announce Winter and Spring program 2020 Download

KW announce program 2020 Download | Overview (As of: 28 July 2020) 

KW announce Fall program 2019 Download

KW announce Summer program 2019 Download

KW announce Winter and Spring program 2019 Download

KW select Andrea Büttner and Rachel O’Reilly for the KW Production Series 2019 Download

KW announce program 2019 Download | Overview Program 2019

KW announce Fall program 2018 Download

KW announce Berlin Art Week program 2018 Download

KW Institute for Contemporary Art and Volkswagen Group announcing VW Research Fellowship (m/f) Download

Anna Daučíková honored with Schering Stiftung Art Award 2018 Download

KW present Olaf Nicolai: Brecht in der Autowerkstatt Download

KW announce KW on location Download / Program booklet

KW announce Winter and Spring program 2018 Download

KW announce annual program for 2018 Download / Overview annual program

Long-term project REALTY kicks off in October 2017 Download

KW announce Fall program 2017 Download

Pause: Margaret Honda Download

KW Productions Series Download

KW announce Summer program 2017 Download

Pause: Anthony McCall / Book launch Black Dada Reader Download

KW announce the first exhibitions of 2017 Download

KW announce new artistic team Download

 

 

Press Kits

 

Fall Program 2022: Michel Majerus, Christopher Kulendran Thomas, Atiéna R. Kilfa Download 

Program Spring 2022: Peter Friedl, Rabih Mroué, Oraib Toukan Download

Summer program 2021: Michael Stevenson, Zeros and Ones, stanley brouwn Download

Fall/Winter program 2020/2021: Amelie von Wulffen, Leonilson Download

Winter and Spring program 2020 – New dates: Hassan Sharif, Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili Download

Winter and Spring program 2020: Hassan Sharif, Kris Lemsalu Malone & Kyp Malone Lemsalu, Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili Download

Fall program 2019: Christina Ramberg, Hreinn Friðfinnsson, STATISTA Download

Summer program 2019: Anna Daučíková, Heike-Karin Föll, Image Bank Download

Winter and Spring program 2019: David Wojnarowicz, Reza Abdoh, Frank Wagner Download

Fall program 2018: Steve Bishop, Tamara Henderson, Sidsel Meineche Hansen Download

Fall program 2018: Beatriz González Retrospective 1965–2017 Download

KW’s Berlin Art Week program Download

KW on location: Lynn Hershman Leeson Download

Pause: AA Bronson’s Garten der Lüste Download

Spring program 2018: Judith Hopf, Trix & Robert Haussmann Download

Fall program 2017: Willem de Rooij, Lucy Skaer Download

Summer program 2017: Enemy of the Stars, Hiwa K, Nicholas Mangan Download

Spring program 2017: Ian Wilson: Hanne Lippard, Adam Pendleton, Paul Elliman Download

KW announces its annual program 2017 Download

 

 

Pressefotos

 

The image material can be used free of charge for non-commercial purposes in connection with the respective exhibition, provided that the KW Institute for Contemporary Art and the copyrights are named. Please send us a voucher copy or link after publication.

 

For image requests for past exhibitions, please contact us by email.

 

 

Michel Majerus
Early Works

 
<p>Michel Majerus, <em>Ohne Titel,</em> 1991, © Michel Majerus Estate, 2022. Courtesy neugerriemschneider, Berlin and Matthew Marks Gallery. Photo: Jens Ziehe, Berlin</p>

Michel Majerus, Ohne Titel, 1991, © Michel Majerus Estate, 2022. Courtesy neugerriemschneider, Berlin and Matthew Marks Gallery. Photo: Jens Ziehe, Berlin

 

 

Christopher Kulendran Thomas
Another World

 
<p>Christopher Kulendran Thomas, <em>The Finesse</em> (film still), 2022, in collaboration with Annika Kuhlmann</p>

Christopher Kulendran Thomas, The Finesse (film still), 2022, in collaboration with Annika Kuhlmann

 

 

Atiéna R. Kilfa
The Unhomely

 
<p>Atiéna R. Kilfa, The Unhomely, 2022, video still (man descending the staircase). Courtesy the artist</p>

Atiéna R. Kilfa, The Unhomely, 2022, video still (man descending the staircase). Courtesy the artist

 

 

Peter Friedl
Report 1964–2022

 
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<p>Peter Friedl, <em>Snjókarl</em>, 1999 (Detail). Color slides. Courtesy the artist.</p>
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Peter Friedl, Snjókarl, 1999 (Detail). Color slides. Courtesy the artist.

 

 

Schering Stiftung Award for Artistic Research 2020: Rabih Mroué
Under the Carpet

 
<p>Rabih Mroué, <em>Self Portrait as a Fountain</em>, 2006. Courtesy the artist.</p>

Rabih Mroué, Self Portrait as a Fountain, 2006. Courtesy the artist.

 

 

Oraib Toukan
What Then

 
<p>Oraib Toukan, <i>Via Dolorosa</i>, 2021. Image study in a single-channel video (color, sound). Courtesy the artist.</p>

Oraib Toukan, Via Dolorosa, 2021. Image study in a single-channel video (color, sound). Courtesy the artist.

 

 

A Year with ...
BLESS N°72 BLESSlet

 
<p>BLESS N°66 Architecture Souvenir Baggages, Architecture Souvenir Baggage II shown at <em>Anders Wohnen</em>, Kunstmuseen Krefeld, Germany, 2019. Model: Margot Kaag, Courtesy BLESS 2019</p>
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BLESS N°66 Architecture Souvenir Baggages, Architecture Souvenir Baggage II shown at Anders Wohnen, Kunstmuseen Krefeld, Germany, 2019. Model: Margot Kaag, Courtesy BLESS 2019

 

 

 

Pause: Tobias Spichtig
Die Matratzen

 
<p>Tobias Spichtig, Die Matratzen, 2016. Courtesy the artist and Jan Kaps, Cologne, Photo: Mareike Tocha</p>

Tobias Spichtig, Die Matratzen, 2016. Courtesy the artist and Jan Kaps, Cologne, Photo: Mareike Tocha

 

 

Renée Green
Inevitable Distances

 
<p>Renée Green, <em>Sites of Genealogy: Loophole of Retreat</em>, Installation view, PS1 Museum, New York 1990. Courtesy Free Agent Media; Bortolami Gallery, New York; Galerie Nagel Draxler, Berlin; Photo: Tom Warren</p>

Renée Green, Sites of Genealogy: Loophole of Retreat, Installation view, PS1 Museum, New York 1990. Courtesy Free Agent Media; Bortolami Gallery, New York; Galerie Nagel Draxler, Berlin; Photo: Tom Warren

 

 

Understudies:
I, Myself Will Exhibit Nothing

 
<p>(right) Manbi, Nô mask of a young woman; Japan, Edo period, 18th century; (left) Deigan, Nô mask of a ghost of a middle aged women; Japan, Edo period, 18th century; Courtesy Museum Rietberg Zurich, Photo: Iman Issa</p>

(right) Manbi, Nô mask of a young woman; Japan, Edo period, 18th century; (left) Deigan, Nô mask of a ghost of a middle aged women; Japan, Edo period, 18th century; Courtesy Museum Rietberg Zurich, Photo: Iman Issa

 

 

Michael Stevenson
Disproof Does Not Equal Disbelief

 
<p>Michael Stevenson, (sketch for a wall drawing), 2021; Courtesy the artist</p>

Michael Stevenson, (sketch for a wall drawing), 2021; Courtesy the artist

 

 

Zeros and Ones

 
<p>Lutz Bacher, <em>In Memory of My Feelings </em>(Detail), 1990; Courtesy The Estate of Lutz Bacher and Galerie Buchholz, Berlin/Cologne/New York</p>

Lutz Bacher, In Memory of My Feelings (Detail), 1990; Courtesy The Estate of Lutz Bacher and Galerie Buchholz, Berlin/Cologne/New York

 

 

<p>Leonilson, <em>Inflammable</em>, ca. 1990, Courtesy Projeto Leonilson, Photo: Eduardo Ortega</p>

Leonilson, Inflammable, ca. 1990, Courtesy Projeto Leonilson, Photo: Eduardo Ortega

 

 

<p>Amelie von Wulffen, <em>Untitled</em>, 2019, Oil on canvas, Courtesy the artist, and Galerie Barbara Weiss, Berlin, Galerie Meyer Kainer, Vienna, Gio Marconi, Milan, and Fitzpatrick Gallery, Paris</p>

Amelie von Wulffen, Untitled, 2019, Oil on canvas, Courtesy the artist, and Galerie Barbara Weiss, Berlin, Galerie Meyer Kainer, Vienna, Gio Marconi, Milan, and Fitzpatrick Gallery, Paris

 

 

<p>Yazan Khalili, <em>Medusa</em>, 2020, Installationsansicht der Ausstellung <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> in den KW Institute for Contemporary Art, Berlin 2020, Courtesy der Künstler und Mophradat, Foto: Frank Sperling</p>

Yazan Khalili, Medusa, 2020, Installationsansicht der Ausstellung Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili in den KW Institute for Contemporary Art, Berlin 2020, Courtesy der Künstler und Mophradat, Foto: Frank Sperling

 

 

<p>Yazan Khalili, <em>Medusa</em>, 2020, Installation view of the exhibiton <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling</p>

Yazan Khalili, Medusa, 2020, Installation view of the exhibiton Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling

 

 

<p>Yazan Khalili, <em>Medusa</em>, 2020, Installation view of the exhibiton <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling</p>

Yazan Khalili, Medusa, 2020, Installation view of the exhibiton Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling

 

 

<p>Yazan Khalili, <em>Medusa</em> (Detail), 2020, Installationsansicht der Ausstellung <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> in den KW Institute for Contemporary Art, Berlin 2020, Courtesy der Künstler und Mophradat, Foto: Frank Sperling</p>

Yazan Khalili, Medusa (Detail), 2020, Installationsansicht der Ausstellung Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili in den KW Institute for Contemporary Art, Berlin 2020, Courtesy der Künstler und Mophradat, Foto: Frank Sperling

 

 

<p>From left to right: Jasmina Metwaly, <em>Anbar (Badrawi’s atelier)</em>, 2019, <em>Untitled </em>(Detail), 2019–2020, and <em>Anbar (Assem’s pictures)</em>, 2019, Installation view of the exhibition <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling</p>

From left to right: Jasmina Metwaly, Anbar (Badrawi’s atelier), 2019, Untitled (Detail), 2019–2020, and Anbar (Assem’s pictures), 2019, Installation view of the exhibition Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling

 

 

<p>Left: Jasmina Metwaly, <em>Anbar (Badrawi’s atelier)</em>, 2019, Right: Jasmina Metwaly, <em>Untitled </em>(Detail), 2019–2020, Installation view of the exhibition <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling</p>

Left: Jasmina Metwaly, Anbar (Badrawi’s atelier), 2019, Right: Jasmina Metwaly, Untitled (Detail), 2019–2020, Installation view of the exhibition Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling

 

 

 
<p>From left to right: Jasmina Metwaly, <em>Untitled </em>(Detail), 2019–2020, and <em>Anbar (Marta’s studio)</em>, 2019, Installation view of the exhibition <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling</p>

From left to right: Jasmina Metwaly, Untitled (Detail), 2019–2020, and Anbar (Marta’s studio), 2019, Installation view of the exhibition Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling

 

 

<p>Jasmina Metwaly, <em>Untitled</em> (Detail), 2019–2020, Installation view of the exhibition <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling</p>

Jasmina Metwaly, Untitled (Detail), 2019–2020, Installation view of the exhibition Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling

 

 

<p>Front: Jasmina Metwaly, <em>Untitled</em> (Detail), 2019–2020, Back: Jasmina Metwaly, <em>Untitled (Thank you notes), Anbar</em>, 2019, Installation view of the exhibition <em>Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling</p>

Front: Jasmina Metwaly, Untitled (Detail), 2019–2020, Back: Jasmina Metwaly, Untitled (Thank you notes), Anbar, 2019, Installation view of the exhibition Mophradat’s Consortium Commissions: Jasmina Metwaly & Yazan Khalili at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artist and Mophradat, Photo: Frank Sperling

 

 

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<p>Jasmina Metwaly, <i>Anbar</i>, 2019, Courtesy Jasmina Metwaly</p>
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Jasmina Metwaly, Anbar, 2019, Courtesy Jasmina Metwaly

 

 

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<p>Yazan Khalili, <em>Medusa</em>, 2020, Courtesy Yazan Khalili</p>
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Yazan Khalili, Medusa, 2020, Courtesy Yazan Khalili

 

 

 
<p>Kris Lemsalu Malone,<em> Love Song Sing-Along</em> (Detail), 2019/2020, Installation view of the exhibition Love Song Sing-Along at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artists, Photo: Frank Sperling</p>

Kris Lemsalu Malone, Love Song Sing-Along (Detail), 2019/2020, Installation view of the exhibition Love Song Sing-Along at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artists, Photo: Frank Sperling

 

 

<p>Left: Kyp Malone Lemsalu, <em>Love Song Sing-Along Serie 1–14</em> (Detail: 7–14), 2019/2020; Right: Kris Lemsalu Malone, <em>Love Song Sing-Along</em> (Detail), 2019/2020, Installation view of the exhibition <em>Love Song Sing-Along</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artists, Photo: Frank Sperling</p>

Left: Kyp Malone Lemsalu, Love Song Sing-Along Serie 1–14 (Detail: 7–14), 2019/2020; Right: Kris Lemsalu Malone, Love Song Sing-Along (Detail), 2019/2020, Installation view of the exhibition Love Song Sing-Along at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artists, Photo: Frank Sperling

 

 

<p>Kris Lemsalu Malone, Portrait vor Kyp Malone Lemsalu <em>Love Song Sing-Along Serie 1–14</em> (Detail 10), 2019/2020; Installation view at the exhibition <em>Love Song Sing-Along</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artists, Photo: Frank Sperling</p>

Kris Lemsalu Malone, Portrait vor Kyp Malone Lemsalu Love Song Sing-Along Serie 1–14 (Detail 10), 2019/2020; Installation view at the exhibition Love Song Sing-Along at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artists, Photo: Frank Sperling

 

 

<p>Kyp Malone Lemsalu at the opening performance of the exhibition<em> Love Song Sing-Along</em> at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artists, Photo: Frank Sperling</p>

Kyp Malone Lemsalu at the opening performance of the exhibition Love Song Sing-Along at KW Institute for Contemporary Art, Berlin 2020, Courtesy the artists, Photo: Frank Sperling

 

 

<p>Kris Lemsalu Malone & Kyp Malone Lemsalu, 2019, Photo: Eric Martin</p>

Kris Lemsalu Malone & Kyp Malone Lemsalu, 2019, Photo: Eric Martin

 

 

<p>Left: Hassan Sharif, <em>Handwriting No. 1</em>, 1983; Middle: <em>Barrel</em>, 1985; Right: <em>Handwriting No. 2</em>, 1983; Installation view of the exhibition <em>I Am The Single Work Artist</em> at KW Institute for Contemporary Art, Berlin 2020; Courtesy Sharjah Art Foundation Collection; Photo: Frank Sperling</p>

Left: Hassan Sharif, Handwriting No. 1, 1983; Middle: Barrel, 1985; Right: Handwriting No. 2, 1983; Installation view of the exhibition I Am The Single Work Artist at KW Institute for Contemporary Art, Berlin 2020; Courtesy Sharjah Art Foundation Collection; Photo: Frank Sperling

 

 

 
<p>Hassan Sharif, <em>Broom</em>, 2016; Installation view of the exhibition <em>I Am The Single Work Artist </em>at KW Institute for Contemporary Art, Berlin 2020; Courtesy Sharjah Art Foundation Collection; Photo: Frank Sperling</p>

Hassan Sharif, Broom, 2016; Installation view of the exhibition I Am The Single Work Artist at KW Institute for Contemporary Art, Berlin 2020; Courtesy Sharjah Art Foundation Collection; Photo: Frank Sperling

 

 

<p>Hassan Sharif, Installation view of the exhibition <em>I Am The Single Work Artist</em> at KW Institute for Contemporary Art, Berlin 2020; Courtesy Sharjah Art Foundation Collection, Photo: Frank Sperling</p>

Hassan Sharif, Installation view of the exhibition I Am The Single Work Artist at KW Institute for Contemporary Art, Berlin 2020; Courtesy Sharjah Art Foundation Collection, Photo: Frank Sperling

 

 

 

 
<p>Benjamin Patterson, Piano d’oiseux tropical, 1989, Courtesy Archivio Conz, Berlin, Photo: Giorgia Palmisano</p>

Benjamin Patterson, Piano d’oiseux tropical, 1989, Courtesy Archivio Conz, Berlin, Photo: Giorgia Palmisano

 

 

<p>Esther Ferrer, <em>Piano con alas</em>, 1986, Courtesy Archivio Conz, Berlin, Photo: Giorgia Palmisano</p>

Esther Ferrer, Piano con alas, 1986, Courtesy Archivio Conz, Berlin, Photo: Giorgia Palmisano

 

 

 
<p>f.l.t.r.: Christina Ramberg, <em>Black Widow</em>, 1971, Courtesy Illinois State Museum, lllinois Legacy Collection; Konrad Klapheck, <em>Der Mann in der Frau (L’homme dans la femme)</em>, 1986, Courtesy private collection. <span lang="NL">Installation view </span><em>The Making of Husbands: Christina Ramberg in Dialogue</em> at KW Institute for Contemporary Art, Berlin, 2019, Photo: Frank Sperling</p>

f.l.t.r.: Christina Ramberg, Black Widow, 1971, Courtesy Illinois State Museum, lllinois Legacy Collection; Konrad Klapheck, Der Mann in der Frau (L’homme dans la femme), 1986, Courtesy private collection. Installation view The Making of Husbands: Christina Ramberg in Dialogue at KW Institute for Contemporary Art, Berlin, 2019, Photo: Frank Sperling

 

 

<p>Ghislaine Leung, <em>SHROOMS</em>, 2016, Courtesy the artist and ESSEX STREET, New York. <span lang="NL">Installation view </span><em>The Making of Husbands: Christina Ramberg in Dialogue </em>at KW Institute for Contemporary Art, Berlin, 2019, Photo: Frank Sperling</p>

Ghislaine Leung, SHROOMS, 2016, Courtesy the artist and ESSEX STREET, New York. Installation view The Making of Husbands: Christina Ramberg in Dialogue at KW Institute for Contemporary Art, Berlin, 2019, Photo: Frank Sperling

 

 

<p>Christina Ramberg, <em>Tight Hipped</em>, 1974, Copyright the Estate of Christina Ramberg, Courtesy Collection Madison Museum of Contemporary Art, The Bill McClain Collection of Chicago Imagism.</p>

Christina Ramberg, Tight Hipped, 1974, Copyright the Estate of Christina Ramberg, Courtesy Collection Madison Museum of Contemporary Art, The Bill McClain Collection of Chicago Imagism.

 

 

<p>Christina Ramberg, <em>O.H.B., </em>1976, Copyright the Estate of Christina Ramberg, Courtesy Collection Karin Tappendorf.</p>

Christina Ramberg, O.H.B., 1976, Copyright the Estate of Christina Ramberg, Courtesy Collection Karin Tappendorf.

 

 

<p>Christina Ramberg, <i>Glimpsed</i>, 1975, acrylic on masonite, Copyright the Estate of Christina Ramberg, Courtesy Elmhurst College Art Collection.</p>

Christina Ramberg, Glimpsed, 1975, acrylic on masonite, Copyright the Estate of Christina Ramberg, Courtesy Elmhurst College Art Collection.

 

 

Anna Daučíková

 
<p>Back: Anna Daučíková, <em>Upbringing by Exercise</em>, 1996/2016, 17 b/w-photographies; Right: Anna Daučíková, <em>We Care For Four Eyes II</em>, 2002, HD-Video; Installation view of the exhibition, KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist Photo: Frank Sperling</p>

Back: Anna Daučíková, Upbringing by Exercise, 1996/2016, 17 b/w-photographies; Right: Anna Daučíková, We Care For Four Eyes II, 2002, HD-Video; Installation view of the exhibition, KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist Photo: Frank Sperling

 

 

<p>Anna Daučíková, Installation view of the exhibition, KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling</p>

Anna Daučíková, Installation view of the exhibition, KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling

 

 

<p>Heike-Karin Föll, Installation view <em>speed</em> at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling</p>

Heike-Karin Föll, Installation view speed at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling

 

 

<p>Anna Daučíková, <em>Expedition for Four Hands and Accompaniment</em> (Detail), 2019<em>, </em>Mixed-Media-Installation with three channel video projection, glass, stones, publication, Installation view of the exhibition, KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling</p>

Anna Daučíková, Expedition for Four Hands and Accompaniment (Detail), 2019Mixed-Media-Installation with three channel video projection, glass, stones, publication, Installation view of the exhibition, KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling

 

 

 
<p>Heike-Karin Föll, Installation view <em>speed</em> at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling</p>

Heike-Karin Föll, Installation view speed at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling

 

 

<p>Heike-Karin Föll, <em>my brain</em>, 2010–19; Installation view (detail) <em>speed</em> at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling</p>

Heike-Karin Föll, my brain, 2010–19; Installation view (detail) speed at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the artist, Photo: Frank Sperling

 

 

<p>Installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the Morris/Trasov Archive, Morris and Helen Art Gallery, University of British Columbia (CA), Photo: Frank Sperling</p>

Installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the Morris/Trasov Archive, Morris and Helen Art Gallery, University of British Columbia (CA), Photo: Frank Sperling

 

 

<p>Heike-Karin Föll, <i class="">linguistic operations/spatial concepts,</i> 2017, Courtesy the artist</p>

Heike-Karin Föll, linguistic operations/spatial concepts, 2017, Courtesy the artist

 

 

Image Bank

 
<p>Installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the Morris/Trasov Archive, Morris and Helen Art Gallery, University of British Columbia (CA), Photo: Frank Sperling</p>

Installation view ‘Image Bank’ at KW Institute for Contemporary Art, Berlin, 2019, Courtesy the Morris/Trasov Archive, Morris and Helen Art Gallery, University of British Columbia (CA), Photo: Frank Sperling

 

 

<p>Front: Image Bank: <em>Colour Bars – Spectrum Sets</em>, 1972–73, paint on wood; Middle: Eric Metcalfe: <em>Leopard Realty</em>, ca. 1973, HD-Video, paint, no sound; Back: General Idea: <em>Hands of the Spirit</em>, 1974, 5 plexiglass rods; Installation view of the exhibition, KW Institute for Contemporary Art, Berlin, 2019, Courtesy Collection of the Eric Metcalfe Fonds / Morris/Trasov Archive, Morris and Helen Belkin Art Gallery, University of Britsh Columbia (CA), Photo: Frank Sperling</p>

Front: Image Bank: Colour Bars – Spectrum Sets, 1972–73, paint on wood; Middle: Eric Metcalfe: Leopard Realty, ca. 1973, HD-Video, paint, no sound; Back: General Idea: Hands of the Spirit, 1974, 5 plexiglass rods; Installation view of the exhibition, KW Institute for Contemporary Art, Berlin, 2019, Courtesy Collection of the Eric Metcalfe Fonds / Morris/Trasov Archive, Morris and Helen Belkin Art Gallery, University of Britsh Columbia (CA), Photo: Frank Sperling

 

 

 
<p>Installationsansicht ‘Image Bank’ in den KW Institute for Contemporary Art, Berlin, 2019, Courtesy the Morris/Trasov Archive, Morris and Helen Art Gallery, University of British Columbia (CA), Foto: Frank Sperling</p>

Installationsansicht ‘Image Bank’ in den KW Institute for Contemporary Art, Berlin, 2019, Courtesy the Morris/Trasov Archive, Morris and Helen Art Gallery, University of British Columbia (CA), Foto: Frank Sperling

 

 

<p>Bob Strazicich, <em>Mr. Peanut Mayoral Campaign: Mr. Peanut descends steps of Vancouver Court House</em>, 1974, gelatin silver print, Collection of the Morris/Trasov Archive, Morris and Helen Belkin Art Gallery, University of British Columbia</p>

Bob Strazicich, Mr. Peanut Mayoral Campaign: Mr. Peanut descends steps of Vancouver Court House, 1974, gelatin silver print, Collection of the Morris/Trasov Archive, Morris and Helen Belkin Art Gallery, University of British Columbia

 

 

David Wojnarowicz

 
<p>David Wojnarowicz, <em>A Fire in My Belly, 1986-1987</em>, still from Super 8 film,<br />
Installation view of the exhibition <em>David Wojnarowicz Photography & Film 1978-1992</em> at KW Institute for Contemporary Art, Berlin 2019; Courtesy Electronic Arts Intermix (EAI), New York; Photo: Frank Sperling</p>

David Wojnarowicz, A Fire in My Belly, 1986-1987, still from Super 8 film,
Installation view of the exhibition David Wojnarowicz Photography & Film 1978-1992 at KW Institute for Contemporary Art, Berlin 2019; Courtesy Electronic Arts Intermix (EAI), New York; Photo: Frank Sperling

 

 

<p>Andreas Sterzing, <em>David Wojnarowicz</em> (<em>Silence = Death), </em>1989, New York, Photography, Courtesy the artist, the Estate of David Wojnarowicz and P·P·O·W, New York</p>

Andreas Sterzing, David Wojnarowicz (Silence = Death), 1989, New York, Photography, Courtesy the artist, the Estate of David Wojnarowicz and P·P·O·W, New York

 

 

Reza Abdoh

 
<p>Reza Abdoh, <em>Bogeyman</em>, 1991, film still, Installation view of the exhibition <em>Reza Abdoh, </em>KW Institute for Contemporary Art, Berlin, 2019, Courtesy Adam Soch and the Estate of Reza Abdoh, Photo: Frank Sperling</p>

Reza Abdoh, Bogeyman, 1991, film still, Installation view of the exhibition Reza Abdoh, KW Institute for Contemporary Art, Berlin, 2019, Courtesy Adam Soch and the Estate of Reza Abdoh, Photo: Frank Sperling

 

 

 

 
<p>Frank Wagner in the exhibition<em> Félix González-Torres (1957–1996),</em> RealismusStudio / nGbK Berlin, 1996, Photo: Jürgen Henschel</p>

Frank Wagner in the exhibition Félix González-Torres (1957–1996), RealismusStudio / nGbK Berlin, 1996, Photo: Jürgen Henschel

 

 

Jimmy Robert

 
<p>Jimmy Robert, <em>Joie noire</em>, Performance with Courtney Henry at KW Institute for Contemporary Art, 2019, Berlin, Courtesy the artist, Photo: Frank Sperling</p>

Jimmy Robert, Joie noire, Performance with Courtney Henry at KW Institute for Contemporary Art, 2019, Berlin, Courtesy the artist, Photo: Frank Sperling

 

 

 
<p>Tamara Henderson, <em>Language of Mud, </em>2018, Installation view of the exhibition <em>Womb Life</em>, KW Institute for Contemporary Art, Berlin, 2018, <span lang="EN-US">Courtesy the artist and Rodeo, London/</span>Piraeus, Photo: Frank Sperling</p>

Tamara Henderson, Language of Mud, 2018, Installation view of the exhibition Womb Life, KW Institute for Contemporary Art, Berlin, 2018, Courtesy the artist and Rodeo, London/Piraeus, Photo: Frank Sperling

 

 

Sidsel Meineche Hansen

 
<p>Sidsel Meineche Hansen, Installation view of the exhibition <em>Real Doll Theatre</em>, KW Institute for Contemporary Art, Berlin, 2018, <span lang="EN-US">Courtesy the artist and Rodeo, London/</span>Piraeus, Photo: Frank Sperling</p>

Sidsel Meineche Hansen, Installation view of the exhibition Real Doll Theatre, KW Institute for Contemporary Art, Berlin, 2018, Courtesy the artist and Rodeo, London/Piraeus, Photo: Frank Sperling

 

 

 

 
<p>Beatriz González, <em>Los Suicidas del Sisga No 2</em>, 1965, Oil on canvas, Courtesy the artist, Óscar Monsalve and Museo La Tertulia, Cali, Collection Museo La Tertulia, Cali</p>

Beatriz González, Los Suicidas del Sisga No 2, 1965, Oil on canvas, Courtesy the artist, Óscar Monsalve and Museo La Tertulia, Cali, Collection Museo La Tertulia, Cali

 

 

KW Production Series: Jamie Crewe und Beatrice Gibson

 
<p>Jamie Crewe, <em>Pastoral Drama</em>, 2018, Installation view of the exhibition KW Production Series, KW Institute for Contemporary Art at Julia Stoschek Collection Berlin, 2018, Courtesy Jamie Crewe, Photo: Frank Sperling</p>

Jamie Crewe, Pastoral Drama, 2018, Installation view of the exhibition KW Production Series, KW Institute for Contemporary Art at Julia Stoschek Collection Berlin, 2018, Courtesy Jamie Crewe, Photo: Frank Sperling

 

 

Evelyn Taocheng Wang

 
<p>Evelyn Taocheng Wang, <em>Hospital Conversations</em>, <em>Three Versions of Change</em>, 2018, Installation view of the exhibition <em>What is he afraid of?</em>, KW Institute for Contemporary Art, 2018, Courtesy the artist and Galerie Fons Welters, Photo: Frank Sperling </p>
<p> </p>

Evelyn Taocheng Wang, Hospital Conversations, Three Versions of Change, 2018, Installation view of the exhibition What is he afraid of?, KW Institute for Contemporary Art, 2018, Courtesy the artist and Galerie Fons Welters, Photo: Frank Sperling 

 

 

 

 
<p>AA Bronson, <em>Garten der Lüste</em>, 2018, Installation view KW Institute for Contemporary Art, Photo: Frank Sperling</p>

AA Bronson, Garten der Lüste, 2018, Installation view KW Institute for Contemporary Art, Photo: Frank Sperling