Report 1964–2022 is Peter Friedl’s (b. 1960) most extensive institutional survey in Germany to date. Adopting a variety of genres, media, and forms of display, Friedl’s works seek to explore the construction of history and the concepts within our political and aesthetical consciousness. His artistic practice is aimed at creating new models of narration in which time, permanent displacement, and critical intimacy all play a central role.

Friedl often refers to and employs theatrical representation and poetics in his works (e.g., scale models, tableaux vivants, props, puppet theatre, restaging) to highlight hidden or overlooked mechanisms intrinsic to historiography, language, and cultural identities. Archival rigor is the key organizational strategy behind some of his long-term projects, which have strict chronology and other principles of order call into question notions of visibility and context. Drawing as a lyrical voice, which documents and comments on both personal and socio-political histories, is equally important in Friedl’s oeuvre.

As a monographic exhibition, Report 1964–2022 brings together works from five decades. Its title stems from an eponymous video installation that Friedl created for documenta 14, which explores the permeability of language and the boundaries of identity. The exhibition is accompanied by a publication containing existing as well as newly commissioned essays on the artist’s work written over the past twenty years. 

Curator: Krist Gruijthuijsen

Assistant curator: Léon Kruijswijk

Exhibition Leaflet (PDF)