The Berlin Sessions

 

Lecture, in English

21 February 17, 7 pm

1st floor Front building KW

Free entry, limited capacity

 

Peter Wächtler on Hans-Christian Lotz

 
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<p>Hans-Christian Lotz, 2015, Installation view at Christian Andersen, Copenhagen, Courtesy the artist and Christian Andersen, Copenhagen</p>
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Hans-Christian Lotz, 2015, Installation view at Christian Andersen, Copenhagen, Courtesy the artist and Christian Andersen, Copenhagen

 

Hans-Christian Lotz (born 1980 in Hamburg, DE) often works with objects of technical or mechanical associations and a rather profane use: shopping center sliding doors installed on the blank wall, solar panels framing vacuum sealed compositions of organic matter or aluminum casts of styrofoam boxes with a raccoon bone on top. Although he refuses to add any cultural aspects to these disenchanted objects of commerce, trade, and progress, his more recent works invite different social connotations, link to private districts of modesty and fragility. Through the use of drugstore items (pet-beddings, Melitta boxes, ‘Goldmännchen’ tea bags) his work becomes more descriptive than gestural and more realistic than aesthetic. Realistic in the sense that whenever you will go visit the big cities of the world (Sydney, Paris, New York), you will always bring along your own Edeka.  On February 21, the artist Peter Wächtler (born 1979 in Hannover, DE) presents aspects of Hans-Christians Lotz’s artistic practice.