Matt Copson, Miloš Trakilović and Jessica Ekomane
Thematic Tour:
Collective Memory and Sound

 

Sundays, 4–5 pm

9 March 25, in English

23 March 25, in German

6 April 25, in German

20 April 25, in German

Venue: KW Institute for Contemporary Art, Meeting Point at the Counter 

Registration on site. Limited Capacity.

Participation included in the exhibition ticket.

In Cooperation with Museumsdienst Berlin

 

Information on accessibility can be found below.

 

<p>Matt Copson, <em>Age of Coming</em>, 2020. Courtesy the artist and Lodovico Corsini, Brussels, Photo: Benjamin Baltus.</p>

Matt Copson, Age of Coming, 2020. Courtesy the artist and Lodovico Corsini, Brussels, Photo: Benjamin Baltus.

 

Each Sunday afternoon, our mediators invite you to delve deeper into selected themes within our exhibition program.

 

The thematic tour Collective Memory and Sound explores how auditory experiences shape and reflect collective memory. Through distinct approaches, Matt Copson, Miloš Trakilović, and Jessica Ekomane create sonic spaces that connect personal narratives with broader cultural histories.

 

In Coming of Age. Age of Coming. Of Coming Age., Matt Copson draws from the tradition of opera, where song amplifies emotion, allowing personal stories to resonate within collective consciousness.

 

<p>Miloš Trakilović, 564 Tracks (Not a Love Song Is Usually a Love Song), 2024, Mixed Media. Photo:Sander van Wettum.</p>

Miloš Trakilović, 564 Tracks (Not a Love Song Is Usually a Love Song), 2024, Mixed Media. Photo:Sander van Wettum.

 

Miloš Trakilović examines Yugoslav music from 1989 to 1992, tracing echoes of the looming Bosnian War through close listening and technological interventions. For Not a Love Song, supported by AI, he transforms these sonic fragments into algorithmic links between past and present experiences.

 

<p>Jessica Ekomane, Portrait, Photo: Camille Blake.</p>

Jessica Ekomane, Portrait, Photo: Camille Blake.

 

Jessica Ekomane’s Antechamber invites reflection on how rhythm shapes perceptions of space, time, and the body. Her sound work functions as a social practice, intertwining sensory and cognitive dimensions to create shared moments of listening.

 

Together, these works reveal how sound can transcend time and context, transforming individual memories into collective experiences.

 

Information on Accessibility

 

Venue:
The event will take place in the exhibition rooms of KW (main hall, 3rd floor, 4th floor). The exhibition rooms are accessible via stairs and an elevator. Please send us an e-mail in advance to reservation@kw-berlin.de so that we can reserve the elevator for you.

 

Recording:
The event will not be recorded.

 

Time:
The event might start with a delay.
Late entrance is possible.
The duration of the event is approximately 60 minutes.
The event is held without breaks.

 

Seating:
Seating (stools without backrests, exhibition specific seating) will be available on request. If you wish seating, please contact our staff on site.

 

Sensory stimuli:
The event tends to have a high volume.
The event space is darkened.
The event takes place in a spacious room.
Earplugs will be provided on site on request.

Language:
There is no translation.
Written text will be available as a document in German and English on site.

 

Content notes:
The event addresses or contains representations of: death, war, genocide, mass expulsions.

 

Assistance:
There is free admission for assisting persons.
Service dogs can be brought along to the event.

 

Contact persons:
If you have any further questions regarding accessibility, please send an e-mail to mediation@kw-berlin.de.
If you have any questions on-site or need support, please approach the entrance staff.
If you have any questions on-site or need support, please approach the event facilitator(s).