KW Institute for Contemporary Art aims to approach the central questions of our times through the production, display, and dissemination of contemporary art. Since its inception more than 25 years ago, KW has established itself, not only as an institution, but also as a dynamic and lively space for progressive practices within the Berlin art scene, as well as in an international context. By means of exhibitions and various event formats, KW has aligned itself towards the current tendencies of the national and international art and cultural discourse, and has actively developed them on a collaborative level with artists, institutions, and by means of commissioned works. As an institution for contemporary art without a collection of its own, the team at KW maintains a high degree of flexibility in creating its programs and addressing its audience.



Under the responsibility of director Krist Gruijthuijsen, the current program evolves around the central objective of using the participating artists’ perspective as a starting point, entailing their subjects and points of view as ways to reflect on social and political issues. The institution is thereby conceived as a social space that facilitates contemplation and exchange between different protagonists and cultures, consistently challenging its audience. The building complex includes exhibition halls, apartments, offices, and event spaces, as well as the Café Bravo in the courtyard, that was designed by Dan Graham in 1999.


In addition to its internationally renowned exhibition program, KW collaborates on a regular basis with national and international partners, such as MoMA PS1, the Biennale di Venezia and Documenta in Kassel.


KW Institute for Contemporary Art is institutionally supported by the Senate Department for Culture and Europe. The program of KW is kindly supported by the KW Freunde e. V.



KW Institute for Contemporary Art was founded by Klaus Biesenbach and a group of young art enthusiasts in a practically derelict former margarine factory in Berlin-Mitte in the early 1990s. Since then, KW has delivered a significant contribution to the development of Berlin as an international center for contemporary art.



After the resolution of restitution claims, the heritage-listed front building from the early 18th century and the factory building, dating back to the 1870s, were acquired in the mid 1990s by the Berlin Lotto Foundation and placed at the disposal of KUNST-WERKE BERLIN e. V. for cultural use. Thanks to the support of the national urban heritage conservation program, the foundation for heritage conservation and the Berlin Lotto Foundation, the KUNST-WERKE BERLIN e. V. was able to renovate the buildings and extend them with two new structures: The Café Bravo was designed by American artist Dan Graham and realized in cooperation with the architect Johanne Nalbach; the Berlin Architect Hans Düttmann expanded the transverse wing by a 400 m² exhibition hall. Upon its reopening in autumn 1999, KW has had several office and studio spaces in the side wings, one of the most beautiful courtyards in Berlin-Mitte and 2.000 m² of exhibition space across five floors at its disposal, which are also put into use every two years for the Berlin Biennale for Contemporary Art. Founded through a private initiative in 1996, the Berlin Biennale has been receiving exclusive funding as a lighthouse project from the Kulturstiftung des Bundes (German Federal Cultural Foundation) since 2004. Since then, KUNST-WERKE BERLIN e. V. functions as the partner and support association of the Berlin Biennale.


Many outstanding artists have presented their first solo exhibitions as well as significant new works at KW, amongst others, Absalon, Kader Attia, Kate Cooper, Keren Cytter, Ceal Floyer, Cyprien Gaillard, Dor Guez, Channa Horwitz, Sigalit Landau, Renata Lucas, Annette Kelm, Michael Müller, Mika Rottenberg, Christoph Schlingensief, Wael Shawky, Santiago Sierra as well as Ryan Trecartin and Lizzie Fitch.


Thematic shows and group exhibitions such as 37 Räume (1992), Stand der Dinge (2000), Territories (2003), Zur Vorstellung des Terrors: Die RAF-Ausstellung (2005), Into Me / Out Of Me (2006), History Will Repeat Itself. Strategien des Reenactment in der zeitgenössischen Kunst (2007), Seeing is Believing (2011), One on One (2012/13) or Fire and Forget. On Violence (2015) have shaped the profile of KW and continuously influenced the international art discourse.


Gabriele Horn, the successor of founding director Klaus Biesenbach, was appointed as both director of KW Institute of Contemporary Art and the Berlin Biennale for Contemporary Art in 2004. As of July 2016, after the restructuring of both institutions, she remains the director of the Berlin Biennale.


Anselm Franke (2001–2006), Susanne Pfeffer (2007–2012), and Ellen Blumenstein (2013–2016) served as KW’s chief curators. Internationally renowned guest curators were furthermore regularly invited to develop their exhibition projects within KW.


Krist Gruijthuijsen is Director of KW since July 2016. His artistic team consists of Anna Gritz and Nadim Samman as Curators, Clémentine Deliss and Mason Leaver-Yap as Associate Curators, Kathrin Bentele, and Léon Kruijswijk as Assistant Curators and Project Managers, as well as Marc Hollenstein as Graphic Designer. Previous members of the artistic team count Maurin Dietrich as Assistent Curator (2016–2019), Cathrin Mayer as Assistant Curator and Curator (Parental Leave Replacement) (2016–2020), and Tirdad Zolghadr as Associate Curator (2016–2020).



Organisation and Management 


Krist Gruijthuijsen


Friederike Klapp 

Office Manager to the Director 



Artistic Office 


Anna Gritz  


Nadim Samman

Curator Digital Sphere


Clémentine Deliss

Associate Curator


Mason Leaver-Yap

Associate Curator


Kathrin Bentele

Assistant Curator and Project Management


Léon Kruijswijk

Assistant Curator and Project Management


Sabrina Herrmann

Public Program and Outreach Coordinator


Claire Spilker

Head of Production (Currently on Parental Leave)


Katrin Winkler

Head of Production (Parental Leave Replacement)


Wilken Schade
Technical Management


Monika Grzymislawska 


Nikolas Brummer



Younes Mohammadi




Press and Communication


Karoline Köber
Head of Press and Communication


Janine Muckermann

Press and Marketing


Melanie Liu



Education and Mediation


Katja Zeidler

Head of Education and Mediation


Duygu Örs

Project Management



VW Fellow (Archival Research)


Jenny Dirksen


Sofie Krogh Christensen



Administration and Finances  
Tel. +49 30 243459-80


Silke Krummel  

Head of Administration


Gloria Aino Grzywatz
Administrative Assistant


Petra Wenzel 


Marie Felis 

Accountant Assistant


Lippert v. Raggamby Rechtsanwälte 
Legal Advisors



Installation and Media Technology


Markus Krieger 

Head of Installation and Media Technology


KW Installation Team





Konrad Muchow

Tel. +49 30 243459-84


Roman Suckau 

Network Administration 



Guards Coordination


William Loftie

Udo Klink





Executive Members of the Board


Olafur Eliasson

Julia Stoschek

Matthias Sauerbruch


Board Members


Hoor Al-Qasimi

Pedro Barbosa

Eike Becker

Klaus Biesenbach

Karen Boros

Mariana Clayton

Andreas Dornbracht

Simone Graebner

Katharina Grosse

Almut Grüntuch-Ernst and Armand Grüntuch

Markus Hannebauer

Martin Heller

Erika Hoffmann

Stephan Landwehr

Eberhard Mayntz

Kate Merkle

Elise Van Middelem

Timo Miettinen

Brigitte Oetker

Adam Pendleton

Sara Puig and Désiré Feuerle

Rivka Saker

Katharina Sieverding

Antje Vollmer

Axel Wallrabenstein

Diana Widmaier Picasso

Venue hire


Selected venues at the KW Institute for Contemporary Art are available for hire. Availability complies with the exhibition schedule. 


We would gladly put together an individualized offer for you. 



Friederike Klapp 

Tel. +49 30 243459-24 

Fax +49 30 243459-99




Currently, there are no vacancies at KW.

Find open positions at the Berlin Biennale for Contemporary Art here.



Corpus – Network for Performance Practice


Hotel Alexander Plaza


Julia Stoschek Collection






OUTSET Germany_Switzerland


Schering Stiftung


Schwules Museum


Volkswagen AG


The publication on the history of KUNST-WERKE BERLIN e.V., which will appear in 2021 to mark the 30th anniversary of the institution, is generously supported by Volkswagen AG.